Poem: ‘In Dialogue with Elizabeth Fulhame’

[ad_1]

Science in meter and verse

Illustration of a woman in a long dress near various chemical beakers.

Edited by Dava Sobel

She has a map unfold at her feet, a lit carpet of gold metropolitan areas
&#13
and silver rivers, just about every tributary wire-drawn with the suggestion
&#13
of a squirrel’s tail. Every thing is quite moist.

It would seem like a desire, even in the dream. Saucers of silk
&#13
line the sills like a grand banquet for clothes moths.
&#13
The spherical table (pocked with scorch marks) throngs

with china cups of phosphorus in ether, tin dissolved
&#13
in muriatic acid, white oxide of arsenic in—
&#13
She tongs sugar lumps, pours the pot. Rainbow bull’s-eyes

float in our cups like latte ferns. The ceiling drips.
&#13
On the reading through stand, a nicely-thumbed reserve on phlogiston
&#13
is flapping its mildewed wings. The place is strewn

with glittering retorts, cylinders, phials. She needs to know
&#13
her identify mainly because, for so very long, she’s been vanishing
&#13
by degrees. “The points of me escape me,” she states.

She lifts the lantern of Dr. Nooth’s device. Iron nails
&#13
and diluted sulfuric acid at glass base. In the middle,
&#13
a ghostly snip of direct-dipped silk dangles over water.

Spangled silver by spindrift, it is really the sail of an invisible craft.
&#13
There’s a puff of white smoke, a by no means-ending string
&#13
of silk swatches from her sleeve. A little goes a extensive way

and this display may possibly just go till dawn. Now the clouds
&#13
are lifting, the wallpaper is rolling back in waves.
&#13
It is fewer drawing space, more Marie Antoinette’s bedroom.

In the golden aquatic, our chairs, napkins and outfits blaze
&#13
ablaze with shiny, shiny. She suggests it generally consumes her
&#13
with wonder, however her question is never consumed.

I imagined in the beginning,
&#13
that a several experiments
&#13
would decide the trouble

they improve sullen and silent,
&#13
and are chilled with horror
&#13
at the sight of any thing

that bears the semblance
&#13
of studying, in whatsoever form
&#13
it may well look and need to

the specter appear in the form
&#13
of female, the pangs which
&#13
they undergo are truly dismal

Flamable bodies, as
&#13
hydrogen, phosphorus,
&#13
sulfur, charcoal, gentle, &c.

are capable of lowering
&#13
the metals in the ordinary
&#13
temperature of the atmosphere

so that a thimble comprehensive
&#13
of h2o would be enough
&#13
to cut down any amount of metal

for this minor bark of mine
&#13
has weathered out entire
&#13
several a storm

repeated periods unnumbered
&#13
so bright and stunning
&#13
as to distress the eye

Editor’s Note: In the 18th century chemist Elizabeth Fulhame described the procedures that later on grew to become recognized as catalysis and photoreduction. Extracts in italics are from her 1794 perform: “An Essay on Combustion with a Perspective to a New Artwork of Dying and Portray, Wherein the Phlogistic and Antiphlogistic Hypotheses are Proved Erroneous.” This essay was reprinted in 1810 in Philadelphia. It’s not regarded in which or when she was born. In accordance to a observe by Charles Watt, Fulhame “died in abject poverty in a indicate condominium in the vicinity of Soho Square.”

[ad_2]

Source backlink